Wednesday, April 26, 2006

Press Release for Golden Cage Music, September, 2001.

FOR IMMEDIATE RELEASE

Hip Harpist’s Frog Princess
Presented at
Children’s Humanities Festival
October 6, 2001

Deborah Henson-Conant plays the harp – the solid-body electric strap-on harp - and she’ll be joining The Fulcrum Point New Music Ensemble at this year’s Chicago Humanities Festival to present her original composition and ‘amphibious allegory’: The Frog Princess. Families will learn what happens AFTER “happily ever after” as Amphibia (daughter of the Frog Prince) takes over the kingdom of Lilypadia and learns to embrace her own inner frog (for more on The Frog Princess see attached information sheet or visit our website, http://www.hipharp.com/).

As an instrumentalist, Henson-Conant has been compared to Chuck Berry, Jimi Hendrix and Elvis. Her voice has been compared to Carly Simon and Joan Baez. Her onstage persona has been described as “a combination of Leonard Bernstein, Steven Tyler and Xena, the Warrior Princess” (Boston Globe). For this performance, Henson-Conant will feature Lyon & Healy’s prototype solid body electric harp (for more information, see the attached document ‘about the harp.’)

The Fulcrum Point New Music Ensemble, under the direction of Stephen Burns, is well known in Chicago for its “full throttle musical energy” (The Chicago Tribune). Burns and
Henson-Conant have collaborated on bringing The Frog Princess to Chicago – combining Henson-Conant’s modern fable with the ensemble’s avant-garde energy and unique instrumentation.

Originally Published in Lollipop Magazine, September 1999

Nine Inch Nails
The Fragile (Nothing/Interscope)
by Lex Marburger



What's all this about "saving music?" Certain other publications (like, all of 'em) have called for Nine Inch Nails to do just that, and have put great stake in The Fragile. But who said that music these days needs saving? If you think rock'n'roll is lagging or out of breath, check out almost any of Jon Sarre's reviews (go ahead, turn the page, I'll be here when you get back). Still need convincing? Listen to The Refused, Firewater, or the London Suede. Rock's doing just fine, thanks. Oh, wait... I know, let's rephrase. "NIN needs to release a new album, so all the rip-off artists who convince big name record labels to spend too much money on too little decent product can get 'inspiration' for their next weak carbon copy of an album." To break it down: "We need something new to steal." It's not rock that's suffering, it's radio that blows chunks. When Barenaked Ladies and Sevendust can be lumped together as a genre, even Don Ho could figure out something's wrong. So everyone turns to Reznor like moths to a flame. But guess what? He's a few years too late.

In the time NIN's been away, some weird shit has gone down. Hardcore drummers have gotten bored playing the same damn beat ("dukka-dukka-dukka-dukka") and realized hip hop has a totally bad-ass sound, while producers and talent scouts (read: "muck suckers") woke up to realize that hip hop is scarier than those empty-threat death metal bands. Ditto with that guy who took up so much of Trent's time in the first place trying to reanimate glam rock. Thus the "nü metal" we keep hearing so much about (by the way, check the archives for the Korn reviews we've done. Just because a band's popular doesn't mean we automatically hate them. Or does it?). Anyway, Trent's come back to the scene to find his guitar sounds co-opted, his beats carjacked, and his lyrics... well, at least he got to keep something. Only thing is, they got it all wrong.

Remember a few years back when Trent said he was going to make The Fragile more hip hop? Yeah, well I do. Shut up. That was before all this other crap got off the ground, and it appears Trent actually paid attention. Here's the quintessential hip hop beat: Big downbeat, space, backbeat, space, then a whole lotta little stuff at the end - like the whole phrase got tipped to one side and all the beats piled up at one end. It's not ripping off James Brown's "Funky Drummer" riff anymore, which is what nü metal is doing. Listen to "Even Deeper" on disc one. At first, it sounds like familiar Nails stuff, but the beats man, the beats. They wake up Trent's guitars (not powerchords, by the way - nü metal's second mistake) and add a menacing undertone to an already creepy song. Try "Where is Everybody?" on disc two. It has the "phat" bass, heavy beats, and even a sweet (term used loosely) chorus behind his shout-raps. But ultimately, just like when his Broken and Fixed albums came along to show hardcore industrial how it's really done, "No, You Don't" sits nü metal down and gives it a good scolding. Ultimately unnecessary, but sometimes it's fun to pick on the village idiot(s).

But it wouldn't be a NIN album without a few drawn-out instrumentals. The Fragile is full of 'em. Especially on disc two. But Trent goes pretty far out on "La Mer." Scoff if you will, but it sounds like Windham Hill meets King Crimson. In a dive bar. And I kinda like that. Fuck, he's always been arty, so let the man stretch his legs. I mean, he employed the classical technique of leitmotif on The Downward Spiral, that ten-note melody that ran through half the songs. You know, the one at the end of "Closer." He's got more than one now, found in "The Frail" and "The Fragile," as well as "La Mer" and "Into the Void," among others. It's up to the listener to decide if the use of leitmotif and lack of vocals means Trent is a musical innovator or if he just ran out of ideas and words while the sequencer was running (hint: considering the length of some of his interviews, I wonder when he has a chance to take a breath).

Ah yes, the lyrics. The years have been kind to Trent. Make no mistake, he's still full of despair, he's miserable, he's been betrayed... but he found out it's clinical. So he endures. That's the focus of The Fragile. He's pissed off, but he's not as close to death as on The Downward Spiral. He'll get by. When taken in conjunction with Further Down The Spiral, Trent has gone to the bottom, and he's found that if he looks up, things will still suck. But hey, check out those clouds. Endurance is key. Even if every no-talent band in the world tries to take his style, it'll always be his. And he hates you.

One more thing: Even if you disagree with everything I've said, at least listen to the production. It's perfect. Damn, he's good.

Tuesday, April 25, 2006

Originally Published in The Weekly Dig, 2006

OM RESTAURANT & LOUNGE
Meditations on a martini
LEX MARBURGER
57 JFK St., Cambridge 617.576.2800 OMRESTAURANT.COM Mon.-Sun., 5 PM-1 AM

3 out of 5 sporks

“Edible art” is a dubious term. It emphasizes presentation over palate, style over substance; it evokes American Psycho concoctions, in which gleaming arches of crystallized mango infused with tree oil teeter precariously on a beveled-rhomboid china shard.

Then again, in the right hands, even an artless dish can become a vehicle for expression; even the most seemingly simple dish can offer a complex exposition of flavor. OM chef Rachel Klein has the right hands—sometimes.

OM Restaurant occupies the Harvard Square space where the sadly defunct Other Music once stood. (Other Music. OM. Hmm.) I had been fretting about eating in the same place where I used to hunt for old Crime and the City Solution records, but the feeling passed as I opened the ornate wooden door and came face-to-face with a wall of running water and blue light. To my right was a lounge straight out of Sex and the City, with luxurious furniture tastefully arranged beneath the gaze of a benevolent Buddha in an enormous mural. Beaded curtains offered glimpses of semi-private rooms further back, but we were quickly ushered upstairs to a table overlooking Winthrop Square, surrounded by yet more tasteful Asian art. The décor may seem heavy-handed at first, but the persistence of its aesthetic eventually forces you to see things OM’s way. After all, you need to be in the right state of mind to order an "Aromatheratini" with a straight face.

Now, I’m no stranger to the world of spirits, and I’ve had my share of bizarre cocktails. But the idea of putting essential oils in martinis to enhance their scent? Well, it could be a good idea, or it could be a complete travesty. Of course, I had to try one. Or three. I started with the highly improbable Essential Martini ($11), a combination of vodka, scotch and jasmine oil. I know what you’re thinking: “Forget the jasmine—vodka and scotch?” Surprisingly, though, the splash of scotch provided a mellowness vodka lacks. The jasmine, unfortunately, was too subtle to notice among the more aggressive alcohol aromas. Another head-scratcher on paper, the Art Basil ($11) was an unexpected winner on the palate. Slightly sweet muddled basil brightened the smooth vodka, while a disc of lime sharpened the whole; I took each sip in anticipation of the next. In the same vein, the Rose Maya ($11)—a blend of gin, cucumber, dill and rose oil—smelled for all the world like some high-end salon face mask, but nonetheless went down smoothly, with a palate-cleansing linger.

Now that I was liquored up, I could turn my attention to the menu—which brings me back to edible art. OM seems to deal in deconstruction—breaking down a dish into its component parts for you to mix together yourself, as with the De-Constructed Caesar ($12). I’m not sure whether this approach is supposed to improve flavor or simply turn the plate into a canvas, but I’m suspecting the latter. Striking juxtapositions of ingredients are also prevalent—take the truffled parmesan popcorn served before an amuse bouche of curried cauliflower soup in an espresso cup.

The torched tuna tartare with Korean lime vinaigrette ($14) was likewise artful: The chopped fish, mixed with pine nuts and currants, was packed into a tight cylinder under a crème brûlee-style crust. Accompanying it were a mild pomegranate-and-ginger gelée and an amusing hibiscus spritzer in a shot glass. Light, sweet and refreshing on the tongue, it paired well with the tuna. By contrast, the duck confit ($12) over grilled escarole was fairly straightforward—but a garnish of pine-nut brittle added some whimsy.

The entrée “Steak and Eggs” ($34) featured a breaded, deep-fried, truffled egg perched atop a filet mignon beside asparagus spears stacked like Lincoln Logs; a bordelaise sauce brought all the elements together. It was an interesting experiment, but for me, the flavors simply weren’t there. And I don’t mean they didn’t work, I mean they simply weren’t there. For all the conceptual excitement and visual creativity (not to mention the high price), the end result was surprisingly bland. Of more interest was the Surf and Turf ($28), which consisted of lightly seared sliced tuna paired with Tibetan momos (steamed beef dumplings), clementine aïoli, and a stack of rutabaga planks with shaved radish. It was in this dish where I really saw the kitchen catch its stride, as the rich, spicy flavors of the momo complemented the elegant, lightly seasoned fish.

Still, it’s the Aromatheratinis that will lure me back to OM. One might say the aromatherapy worked, but I’m convinced it’s the alcoholatherapy that won me over.
An ongoing story/novel/way of expending creative energy.

LMNO-PI

CHAPTER 1: In the Office. Morning.

The City. Cold, grey, full of angles jutting at odd, predictable angles. A place where anarchy lays just a gunshot away from the uneasy order that has slowly taken over. Gee, I miss the suburbs.

It was a grey morning, as I groggily lifted my head from my desk. I vaguely wondered who had cracked open my brain pan & replaced it with charcoal in mid-burn, when I noticed the bottle next to me, a half-inch of amber liquid left. Right. Another night of self-pity, in the City that doesn’t care. Coming fully into painful consciousness, I grabbed the bottle & poured the rest of the cheap scotch into last night’s glass, fighting the nausea of a new day.

I leaned back in my chair, and looked out the window, at the concrete prison of Ideas that is the City. There was little traffic this morning, as most people only come to the City when they have to. Government, Inc. had proclaimed today to be a holiday for tax purposes, so the worker bees stayed in their hives, fearing to tread in the unpredictable streets.

Hearing the outer door open, I ran my fingers through my hair. Graying already, my temples turning the color of the pavement. The knock came as I straightened my tie, trying to make it look like I didn’t spend the night passed out in an alcoholic haze.

When She walked in, it was like a Krakatoa sunrise. Short red hair trained to hold the curves of her skull like it was the president of the Clara Bow fan club, and a dress to match. Legs that went for miles, all standing unsteadily on a pair of heels that could be used as weapons. What the fuck was she doing here, in this room, in this building, in this City? She was the kind of woman who threw the unfeeling vastness of the City into pure focus, just by standing there, radiating life.

“Are you LMNO?”

“Some call me that, yeah.”

“I hear you’re a dick. I need someone to be a dick for me.”

“Did I mention I’m a fan of double entendres, as well?” She smiled, a quick, no-teeth smile of condescension, but I could tell from her eyes she was holding something back. It took a lot to stand the City. We all have our armor; some of us just hide it better. “What can I do for you,” I asked.

“It’s this,” she said, tossing a playing card on my desk. I picked it up, and noticed it wasn’t a playing card, but a Tarot card. The Tower, to be exact.

“Ouch.”

She looked worried, and in that moment, it seemed like the entire Universe wanted to protect her, reassure her. “What is it?” she asked.

“Are you trying to tell me something? Dames like you don’t just walk in here and throw Tarot at me. I usually leave that to the Gypsies.”

“Someone slipped this into my box last night.”

“What did I tell you about entendres?”

“Look, LMNO—What kind of name is that, anyway?”

“My parents were librarians. They liked keeping everything lined up.”

“I… See.” She gave me a look like she wasn’t sure whether to believe me. “Well, I’ve been getting mysterious phone calls over the past few weeks, and now this. I’m frightened.”

“What kind of phone calls?”

“It’s embarrassing. I won’t tell you, unless you want to take the case.”

I thought about next month’s rent, and the dwindling case of scotch in the closet. What the hell, I thought, at least it’ll be interesting… “Sure, dollface, I’ll work with you. Now why don’t you tell me about it from the beginning…”

She sat down in an old, creaky wooden chair. She looked down at her hands, slender and tipped with nails like rubies.

“It all started 23 days ago,” she began. “I started getting calls on my cell phone. At first, there was this buzzing, squeaking noise, like a mouse trapped in a fax machine. I thought it was just some sort of weird atmospheric thing, but after a few times of this, I started to hear… messages… Oh, I don’t know if I can go on.”

“Relax, have a seat. Would you like some pie?”

"What?”

“Sorry. Inside joke. Drink?” I grabbed a glass from a desk drawer, and wiped down the rim with my shirttail. I stood up, feeling the joints in my knees pop, and the labor union that was my lower back decided to go on strike. Wincing, I made my way gingerly to the closet, where the last lone bottle of scotch lived. I cracked the seal, & poured her a finger or two. “Now, what did these voices sound like?”

She sipped on the liquor, and made a face. “Do you have any ice?”

“What? Do you prefer crack?”

“…I’m not sure I—“

“Ice? In scotch? You dames…”

Dagger-eyed, she choked down another sip. “The voices,” she continued pointedly, “were more like muttering. Whispers. But gurgled, like they were getting over a head cold. But also distorted, like a Big Black song.”

Wonders never cease, I thought. Where did a classy broad like this find out about Big Black? “So, what did these… eldritch… voices say?”

“I couldn’t figure it out, so I wrote it out phonetically.” She reached her delicate hand up, and teased upon the neckline of her dress, slyly slipping her fingers between the fabric and her skin, allowing not so much as a square centimeter of flesh to show, but making anyone looking believe they had seen the hills of the Holy land itself. This chick is a born tease. Her hand withdrew from her cleavage, and between the index and middle fingers was a slip of paper. She unfolded it, and the light scent of her flesh filled the narrow and dusty office.

At that moment, the weak light bulb, not the most friendly of appliances at the best of times, decided to revolt against its electrical masters. With a flash and a pop, the office grew noticeably darker. Even with the bright morning light, the grime and soot on the office windows was reluctant to improve the optics inside the room. Startled, she took a step back, and raised her hand to her delicate ivory throat.

“Fuck,” I muttered eloquently. Reaching into my pockets, looking for a match, or a witticism, I finally produced a lighter, and used it to beat back some of the shadows encroaching on us. “It’s ok,” I said. “The wiring in this place sucks, but at least the rent doesn’t cost me a kidney.”

She smiled uneasily, then bent her head to peer at the paper in her hand. “The voices said… ‘Aye, eeyo. Kootooloo fagthan. Better check on the baby. Eevoh-hay, Pan-janitor. And that’s how I saved Christmas.’ LMNO, what does this mean?” She quickly lifted her head, and looked into my eyes. I felt like time would stop as her green eyes locked into my blue, it felt like she was crawling up my optic nerves and into my brain, driving those perfect fingers into my cortex, twisting my brain stem around her little finger.

Grunting, I broke the eye contact, shaking my head like some beast with a nose full of porcupine quills. How did she do that? I took the slip of paper from her, desperately hoping our fingers didn’t touch. “Let me look at that. Oh, and if I’m going to take you case, I better know what to call you.”

“You can call me Erin.”

*** *** *** *** ***

CHAPTER 2: Face-Raping Bats!

“Well, Erin, let me see this cell phone of yours,” I said. She reached into her purse (purse? Did she have a purse when she walked in? How could she have kept that hidden?) and pulled out your typical-style phone. High-end, no doubt, but just the same as any other: Black, smaller than a deck of cards, and vaguely sinister-looking. She laid it on the desk, and glanced up at me.

“I know it sounds stupid, but I’m almost afraid to touch it.” Looking quickly at the phone, not wanting to get lost in her eyes a second time, I noticed it had a few deep scratches in the back, where the battery gets recharged.

“What’s this?”

“Well, after about a week of these strange calls, I lost my nerve, and sort of… snapped. I threw the phone at the wall. It didn’t stop the calls, though.”

I picked up the phone, opened it, & began dialing a string of digits. “Well, let’s see if we can figure out where these calls are coming from.”

“I tried ‘Star 69’, but it didn’t seem to work.”

Letting another innuendo slip by, I said, “Well, that’s because you use the Government, Inc.’s services. You know as well as I do that ever since the National This-Is-For-Your-Own-Good-Just-Trust-Us Act of 2006 passed, no information request will ever provide accurate information, just add your name to the ever-growing list of people who want to Know Too Much.”

Looking around nervously, she said, “I had to take a chance.”

“Don’t worry about it. These days, the list includes about 98% of the population. Government, Inc. uses Quantum Information Storage, but they haven’t gotten around to figuring out how to make a Quantum Processor yet. So it’s like finding a speck of dust in the middle of the galaxy.”

A small smile flickered at the corner of her mouth. I noticed that her lips, full and red like the promise of a pomegranate just before the bitterness sets in, had a small, almost miniscule scar running from the top edge of the left cupids bow diagonally to the bottom lip, like she was delicately brutalized at some great distance in her past, or had fallen out of a willow tree as a child. It was the smallest and most perfect of flaws on a flawless face, the unnatural error of symmetry calling attention to her impeccable beauty. “So how is it, Mr. LMNO, that you plan to get around Government Inc.’s little plan?”

“Ah, it all depends on your connections, dollface. I know a couple of Scrids down at MegaTeleComTech, and they owe me a favor.”

“They use Scrids?” Her forehead folded upon itself slightly, and I realized that was the look of someone who’s not used to being puzzled, when the muscles have all but forgotten the feeling of a frown.

“Well, with the millions of signals coming down the wires & flying through the air every second, who else but genetically-modified, hyper-intelligent Giant Land Squids are they going to use?” The phone on the other end of the line was ringing, so I held up one finger, not wanting to be any ruder than I had to be to Erin. After all, if she was going to be paying me, she was my employer. The line picked up.

“Hey, Randy? ...Yeah, it’s LMNO… I know, I know, not since September… Mmm Hmmm… How’ the brood? …Great, great… Look, Randy, I have to call in that favor… No, that didn’t count, because I wasn’t the one who got the wires crossed… Yeah, well, tell it to the wall… Ok, fine. 25%, and a sack of mollusks. Listen, Randy, what I need from you is to keep a tracer on this phone, number 333-2342, and to track all incoming calls…. Yeah? Great. If you can do this for me, we’re even…. Right… Ok. I’ll call you again when I need the number.”

I hung up, and looked at Erin, still struggling with the glass of scotch. Pouring another for myself, I said, “Well, that’s that. All we have to do now is wait for another call.”

Suddenly the phone rang. I snatched it up, and a sickly whine burst from the receiver.

“KkkkkkkkkssssssssBellandBookandFlamesssssssskkkkkkkFeartheComingOfAeaiiiin-SooooffffhhhUsurperoftheClowntroddenggggggggggggggggggg…” The line went dead.

“That was pretty freaky,” I said. I turned to look at Erin. She had contracted somehow, drawing herself into herself, her eyes wide with fear. She grabbed my glass, and drained it, her face never changing expression.

“It’s ok. I’m calling Randy now.” I dialed up the Scrid, and waited as the connection was made. “Randy? Yeah, it’s me again. I need to know—WHAT? How is that possible? …No, I don’t think you’re lying, that’s genetically impossible, that’s why it’s so much fun playing poker with you… Could you triple-check that? …I see.” I hung up.

“What? What?” Erin was literally on the edge of her seat, chest heaving with anticipation, temporarily driving all other thoughts out of my head. Coming back to myself, I put the phone carefully on my desk.

“He said the call was coming from inside the phone itself,” I said, as I drew my gun.

I don’t like guns. I mean, when I have to use them. Sure, target practice is fine, and it gives you a certain “manliness” quotient, holding the powerful and explosive Doom Cock like some hero from TV, but when it really comes down to needing to use a gun, everything becomes uncomfortable.

Case in point: Right now, the nine millimeter in my hand felt all too heavy, and the smell of cordite and oil filled my nostrils. I held Death in my hand, I wielded Violence. And right now, it was pointed at a small piece of plastic on my desk.

Erin started, “Wait. How can the call have originated inside the phone—" when the phone rang again. But it didn’t so much ring, as shriek. Digital feedback, mixed with good old fashioned Screaming of the Damned, from what I could tell, filled the office. The scratches down the back of the cell phone widened and split, following some sort of pre-described demarcations, splitting the top half down the middle, and spreading out either side, while what looked like legs began sprouting from the lower half.

“sssskkkkskkskkkkkkYourASoulWillSufferAgonyssskkkksttttshshshhhhhTearYourSkin-UntilPainBecomesYourOnlyFriend...akehhekkksskkkkskkkkksssYouWillKnowNoFriend-ButThePainOfYouSoulandTheEmptinessOfYouLifeskjjehhddded…”

“Oh, My God,” Erin cried. “It’s EMO!”

Wings burst through the back of the phones, and buzzed furiously. Launching itself


The editors of “LMNO-PI” would like to interrupt at this point and note that the “face-raping bat” scene has been deleted, seeing as how the Author of this petty drama is currently both sleep-deprived and hungover, and wrote, what we here all agree, was a pretty bad and tasteless scene. Needless to say, this chapter is filled with weak adjectives, and horrible similes, such as “plummeted through the air like a Pearl Harbor bomber”, and the like. The Editors would like to apologize to the readers, and to assure you that this passage should contain Horrific and Wildly Exciting descriptions of LMNO’s ferocious and chaotic gunfight with the Strangely Demonic Face-Raping Bat Cell Phone. We apologize for the interruption.

…The last bullet hit home, and hit true. The phone exploded into shards of plastic and bits of newly-formed flesh, and what seemed to be fluttering bits of paper. The newly found silence was almost stifling compared to the screams and gunshots. I slid the gun back into its holster, and grabbed one of the slips of paper out of the air. It was completely covered with Ones and Zeroes.

“Damn. I’m not enough of a geek to read machine code raw.”

“What. The fuck. Was that!?”

“I’ll explain it to you in the car. Right now, we have to get out of here.”

“I put that up to my EAR!”

“I know. It likes that sort of thing. But we have to go. I need this translated.”

“Where are we going?”

“I need this read, fast. So we’re going to a bar.”

WHAT? Are you serious? We just got attacked by that… that… thing—"

“Face-Raping bat.”

“—Whatever, and you’re thinking about getting drunk? Not to mention, where are you going to find a place open right now?”

“Easy. It’s the only bar open at this hour of the morning. The Open Bar.”


CHAPTER 3: Who’s Up For Some Exposition?

I grabbed my shabby leather trench coat as we left the office, making our way down the dimly-lit, musty corridor to the street. The wiring here was as bad as the office, and the flickering bulbs did nothing to calm Erin’s nerves. Against my better judgment, I offered her my arm. With a wan smile, she placed her palm in the crook of my elbow, and drew close.

The scent coming off her, like the fields of Amsterdam, like the first rain of summer, mounted a frontal attack on my brain, as the pressure from her fingertips made me think of what those hands could do, in another time, another place. Dammit! Get a hold on yourself, L! And yes, I know that was another pun. Shut it! Don’t think that she’s gonna get over the Face-Raping Bat anytime soon!

Turning towards me, Erin said, “I still don’t see why we’re going to a Bar.”

“Not just any bar, honey. This one is… Special.”

“Special like ‘mine is the power and the glory’ special, or special like ‘I need help wiping my own ass’ special?”

I chuckled. “Neither, doll face. There are some pretty weird characters who hang out there who might help us with this.” I pulled the scrap of binary code from my pocket, & she flinched, but kept her cool.

“Your friends, I bet.”

“Well, some of them. Others… let’s just say we have an uneasy truce.”

“Hmph. Sounds like any other joint in the City.”

“Ah. But can you say that any other bar will talk back to you?” Leaving that last comment hanging, I opened the front doors onto the street.

The City loomed through the threshold, the grim oppressiveness pushing down on your shoulders almost immediately. It wasn’t supposed to be like this, originally. There was something about the way the City was built. “Psychotecture” they called it. The theory was that the brain interpreted angles in the same way it interpreted feelings and emotions. Make the angle big enough, prominent enough, and it will affect your mood. Of course, the possibilities were huge, and Government, inc. ate that shit up like pancakes. The designers got to work, like Frank Lloyd Wright on steroids, plotting out the buildings, the streets, even the lampposts. Great idea, right? Make the City what you want it to be: The financial center attentive, focused, and precise, the Restaurant district warm, inviting, etc.

When it was finished, the designers submitted the City to Government, inc. who then did what they always did: Auction off to the lowest bidder. Who, of course, will cut corners. Literally. The precise distances and angles the designers calculated were eyeballed, estimated, and (occasionally) eliminated. When it was all done, the City was a mockery of itself, a concrete and steel grotesque, oppressive and forbidding, even on the brightest Spring day. Needless to say, the suicide rate in the City shot up 1723% in the first year after completion. No wonder no one left their windowshade up for long.

Pulling up my collar, we hunched against the psychic assault of the City in all its vast malevolence, and made our way to the car. A silver, beat-to-shit late model beast, it contrasted sharply against the sleek and sinister beauty of the latest models parked nervously alongside.

“Holy shit,” Erin said, bemused. “Does that thing run on gas, still?”

“Never got around to installing the hydro cell converter.”

“Where do you find the cash to refill the damn thing?”

“I try not to use it that often, but today, we’re in a hurry, and since there’s no one on the road yet, I figure we can get away with it.”

“Damn, I think I will need a drink after riding in that piece of junk.”

“Just get in. We’ve got to get to the Open Bar before the Troll gets too drunk.”

“We’re actually looking for a Troll?”

“A collective, actually,” I said, hitting the started, & gunning the car to life. The engine fought me for a second, as if it knew it wasn’t long for this world, and just wanted to fade away into rust, but then it remembered why it was made, and let out an angry roar as it cleared its pipes of any carbon that might be in its steel throat.

“We’ve got to find Aini.”

~~~

We drove in silence for a few minutes. Well, relative silence, anyway, as the car grumbled, coughed, & roared its way through the mostly empty streets of the City. I glanced over at Erin. She had a look on her face like a John Singer-Sargent painting, deep but not revealing any secrets.

“Ok. Fine. You’re saying the only way to figure out whatever that—that—“

“Face-Raping Bat.”

“Yeah, Face-Raping Bat—was doing is to find a Troll collective. Fine. But what do you mean about the Bar talking back to you?”

I sighed. “Listen. This is a delicate subject, because I’m not sure if Government, Inc. knows about it. You remember when they came up with Quantum Storage, so they could collect almost infinite data on everyone in the country?”

“Yeah. There was a big protest about it.”

“…Until most of the protesters were killed in the ‘Accident’. Anyway, a few who got away went underground, where they were able to hack their way into Government Inc.’s system & see what was really going on. What they found was, like I said earlier, a system of storage, but no way of processing the information fast enough. The Quantum Processor simply couldn’t survive the massive amount of energy required to make it run.”

“But what does that have to do with a Bar?”

“I’m getting there. These underground hackers decided that they were going to try & beat Government, Inc to the punch and develop their own Quantum Processor, so they could stay a step ahead of the Christ Squads and to keep tabs on the Claw Shrimp. Their breakthrough came when they realized the only solution was to bring the Quantum process to the Macro world. That way, the larger bodies could handle the energy needed without breaking down.

“Their next problem was to somehow manifest tangible Quantum symptoms in a visible form. Luckily, these weren’t your usual Hackers. They decided to throw everything they had at the problem, so they tried combining their technical and mathematical skills with some... unorthodox methods.”

“‘Unorthodox’.”

Yeah. They hooked up with a Kabbalist (a real Kabbalist), a couple of Ceremonial Magicians, a Tarot card reader, and combined that with their resident Tantrist--”

“Sex Magic? Are you serious?”

“Serious as the Pope’s feeding tube. She was able to raise enough kundalini to manifest a fairly good representation of the Tree of Life as pure energy, but it wouldn’t stay still. It was too unpredictable. It kept changing, & breaking down. After taking a break, they had some tequila, and realized that it they had to embrace the unpredictability, not control it. Perhaps it was because they were all pretty drunk, but they decided that since perception helped shape quantum actions, then they should make the laboratory into a bar, which is perhaps the most unpredictable place a person can go.”

“Now you’re putting me on.” Erin began to pout, and I almost drove the car into a streetlamp before I pulled myself together enough.

“You’d think I was, but get this: By adding the element of chaos to the probability equations of Quantum mechanics, the Orgone energy from sexual charge, and the altered consciousness of Magic and Tarot, something happened: Tangible, macro, collapsing wave states. In that environment, in that place, you could, just by thinking about it, create whatever you wanted. Granted, it wasn’t quite the Quantum Processor they were looking for, but damn, it was fun. They decided to not only keep it a secret, but keep the bar part up and running, with entrance available to only those who know.”

“…”

“I know, it sounds like bullshit. It gets worse. A few months ago, the bar somehow gained sentience.”

“That’s it. Let me out of the car.”

“Wait. Think about it. Whet is the human mind but information being strung together in random ways? What is consciousness but an enormous probability? The Macro wave states had existed for so long, they started self-regulating. You’ll see. We’re almost there.”

Softly, subtly, we had slid into a darker part of the city. We had left the relative eeriness of the City’s residential district, and had entered the pseudo-psychotic Warehouse District. Graffiti dedicated to Hastur and Nyarlotep fought with each other, and you could see the glint of wide eyes and sharp knives in every dark angle large enough to hide a body (or two). The occasional working streetlight did nothing but push the surrounding darkness to a more sinister, inky mess.

“I gotta warn you, dollface, the Open Bar is a little different than most of the places you’ve probably been to.”

“Oh, really?” She finally smiled again, briefly, like she had more secrets than she knew what to do with. “And how do you know where I’ve been?”

“I’m just saying, even with the self-regulating Quantum consciousness, the wave states are unstable, and need constant maintenance and upkeep.”

“Meaning what, exactly?”

“Well, why fix what isn’t broke? The same processes that brought it into being are used to keep it going.”

“…You mean, tantric sex, excessive drinking, and strange pagan rituals…”

“Exactly. And Math, of course.”

“Of course.”

I stopped the car. “We’re here.”